Writers are often asked where they get their ideas, and I've heard that question labelled 'silly'. I think the criticism is unwarranted, as what is being asked for, in effect, is an explanation of the creative process. While that may be impossible to do fully and satisfactorily, there are surely sufficient identifiable 'germs' of an idea (in whatever medium it might be) for an artist of any kind to outline a work's genesis.
Neil Gaiman sums it all up nicely here, while Diana Wynne-Jones, in the piece 'Answers to Some Questions' in Reflections on the Magic of Writing says, "My very favourite form of [the question] was asked by a twelve-year-old: 'Where do you get your ideas, or do you think of them for yourself?' Very shrewdly put, because some part of an idea, if it is going to start a book developing, has to relate to something outside me, even if I don't exactly get it from this outside thing. It has to be a creative mix of interior and exterior notions ..."
From inspiration to perspiration, here's Haruki Murakami on the novelist's need for focus and endurance, and if that seems too much like hard work, here's Stephen King on 'creative sleep'.
Murakami is spot on; indeed I'd put focus and endurance ahead of "talent" which I suspect is what we call the end product of those rare individuals who are prepared to focus single-mindedly for years and years to perfect their craft. That applies to anything we do, not just the arts.
In my own area of (partial) expertise, the most talented people I have met have also been the most focussed on a single goal (physics). I have been less focussed (except during my PhD) which is why I am a less "talented" physicist and perhaps why my PhD thesis was pretty good! I chose to spread my vision wider and have reaped other advantages, but being at (or near) the top of my chosen field has not been something I have achieved.
Posted by: Dark Puss | 28 October 2015 at 01:04 PM