Rural Devon, 1911. Life on Lord Prideaux's estate follows the pattern set by the seasons as they dictate the work on the land. Tim Pears' new novel The Horseman follows young Leo Sercombe, the carter's son, through one farming year and into the next, each episode recounted in short chapters which take the reader deep into the life of the valley.
Silent, self-contained, the boy is an observer, noticing what others take for granted or never even see, but it is his affinity with horses that drives him, an empathy which goes far beyond any sentimental attachment. As his gifts become apparent, so they are spotted by Lord Prideaux himself, his groom, and even his lordship's headstrong daughter Lottie; and as a career path appears to open up to Leo, so an unlikely friendship develops.
This is not a book for those wanting action, plot, or pace; instead, in a series of still life-like scenes of the village school, a pheasant shoot, a horse fair, the harvest, a lost world is revealed, brush stroke by slow brush stroke. The book has a distinctive rhythm, even at sentence level, and this checks one's progress through its pages, putting the reader in step with Leo's engagement with the natural world, matching his stride as he takes in every detail of his surroundings, every quirk and tic of the people amongst whom he has grown up.
The book wouldn't be out of place shelved alongside Hardy, with Cider with Rosie, perhaps The Go-Between, and Country Boy. There's nothing rose-tinted about its depiction of a harsh life, a rigidly stratified society, unremitting physical labour, unwritten codes of conduct, but there's a great deal of beauty in it, and an acute sense of 'hearing' the world turn - albeit in a few quiet West Country acres - that gives it an integrity not found in lesser pieces.
This book promises much for the remainder of the trilogy of which it's the first part; I'm sure Tim Pears will deliver.
Jim Naughtie meets the author here.
Bit of a wait at the library but always good to have something to look forward to. My grandfather was an ostler before WW1, then sent out to France to help care for them once he had signed up. I have often wondered about his time out there. He died before I was born so never knew him. Once the war was over he never really worked again. Having been gassed his health was poor and he didn't make the switch to driving as so many men did as motor cars took over.
Posted by: Fran H-B | 06 February 2017 at 04:59 PM
In the ordinary way of things I would avoid this book because I have a morbid fear of horses but your description of it has me intrigued, not least because I am a great fan of John Clare's poetry and I suspect that I might find an echo here.
Posted by: Toffeeapple | 06 February 2017 at 07:12 PM
How interesting, Fran. A hard life indeed.
Posted by: Cornflower | 06 February 2017 at 08:08 PM
John Clare hadn't occurred to me, but you might well find echoes.
Regarding the horses, Tim Pears has written about them with such feeling and knowledge - there's nothing superficial or sketchy here - that you could perhaps tolerate them better than you might expect. Apparently, as a boy he seldom rode or had much to do with his family's horses, but he must have absorbed/observed a great deal almost unwittingly and he's used that experience to great effect here.
Posted by: Cornflower | 06 February 2017 at 08:13 PM
Have just finished reading the Horseman , a wonderful story reminding me of the work of H E Bates.
I loved your description of the book as aseries of still-life scenes, that is just how it read.
Posted by: Andy | 08 February 2017 at 09:26 AM
Just finished The Horseman and feel curiously bereft - I do hope Tim Pears is well on with the rest of Leo's story.
Horses played a huge part in my life growing up and I come from farming ancestry on both sides in Ireland and Yorkshire, so maybe it is ancestral memory that is partly why this book had such a hold on me as well as the wonderful writing.
My dad's family still farm in County Kerry and still had some working horses in the late 60's although they were Irish Draughts not Shires and my maternal great-grandfather was a horse master for a brewery in Leeds in the early 1900's: my granny told stories of delivery men having had one too many refreshers during the round and relying on the dray horses to bring them home safely - which they always did!
Posted by: LizF | 08 February 2017 at 12:11 PM
I have just read "The Horseman", after remembering this review, and just wanted to say thank you for recommending such an exquisite and moving book. I too felt quite bereft having finished it, but am greatly looking forward to the next.
Posted by: Deborah Vass | 07 January 2019 at 05:06 PM