A Bildungsroman in 700 pages, Maugham's most autobiographical novel - a classic tale of wrong turnings - will have you silently shouting 'No!' at the page at all too regular intervals in an effort to keep its main character Philip Carey from self-inflicted harm.
An orphan brought up by his stultifying and remote uncle and aunt in a vicarage in coastal Kent, Philip leaves school to rattle around Europe, studying in Heidelberg and Paris, savouring life 'in the raw', but with an eye on an ideal future which is always just beyond his grasp. Back in London, and now a medical student, he meets a woman over whom he loses all sense. How will he survive the spiral of misfortune into which his ill-judged association with the dreadful Mildred takes him, and how, ultimately, will he ever find contentment?
My favourite Maugham so far is The Razor's Edge (the book group's thoughts on it are here), but this one comes a close second. I was quickly engrossed in Philip's story, willing fate to treat him kindly and hoping he would find an accommodation with life. I picked up the book because Abraham Verghese cited it (and A.J. Cronin's The Citadel) as the two novels which drew him to a medical career; I wanted to see in what way it was so formative, and I found that part particularly interesting.
I've yet to read The Summing Up (on the shelf above) "a classic avowal of a professional author's ideas about style, literature, art, drama and philosophy, but also an illuminating insight into this great writer's craft", and Selina Hastings' biography of Maugham which I'm sure will similarly analyse and illustrate his gift, but I look forward to both.